![]() ![]() Scarlett Johannson and Bill Murray are impeccable casting as the unlikely soulmates thrown together in high-rise Tokyo. Sofia Coppola’s second feature stands up: utterly distinctive, wildly romantic and fleetingly queasy. Photograph: The Ronald Grant Archive 77 Lost in Translation (2003) CS Read the review 89 The Selfish Giant (2013)Ĭlio Barnard’s second feature doesn’t have the shock of innovation of her verbatim cinema debut, The Arbor, but the story of two lads scrapping around junkyards to escape their homes is a masterpiece of lyrical social realism. CS Read the review 90 Eden (2014)Įven non-ravers can’t fail to be shaken by Mia Hansen-Løve’s vital tale of love and clubbing, vaguely based on the rise of Daft Punk. CS Read the review 91 Etre et Avoir (2002)Įvents soured after the shoot but Nicolas Philibert’s sole big hit remains a disarmingly funny study of a graceful and kind schoolteacher caring for a motley crew of under-11s in rural France. Kathryn Bigelow’s extraordinary story of a controlled explosions team – headed by a never-better Jeremy Renner – is intense, immersive and impossible to shake. CS Read the review 92 The Hurt Locker (2008) The second in Roy Andersson’s trilogy of wackily incisive Swedish vignettes comes at you thick and fast – about 50 micro-sketches, sometimes loosely linked – yet sticks like plasticine beneath your fingernails. CS Read the review 93 You, the Living (2007) ![]() Yet there are many grace notes under the fire and fury. Russell Crowe bellows and glowers opposite hyper-evil Joaquin Phoenix and lugubrious Oliver Reed (who died during production). Ridley Scott’s deluxe Roman blockbuster is toga soap turned up to the absolute maximus. Photograph: Dreamworks/Sportsphoto/Allstar 94 Gladiator (2000) Maximus attitude … Russell Crowe in Gladiator. Michael Moore’s finest hour: a blazing juggernaut with George W Bush, the Iraq war, the media, democracy and us, the gullible masses, in its crosshairs. CS Read the review 97 Fahrenheit 9/11 (2004) ![]() The only comic book movie to make the cut is Christopher Nolan’s genre masterpiece: fatalist, bracing and forever the legacy of Heath Ledger, posthumously awarded an Oscar for his terrifying performance. CS Read the review 98 The Dark Knight (2008) The butterflies are too tropical for Hampstead, but the rest is spot-on. CS Read the review 99 Bright Star (2009)Īn early lead for Ben Whishaw as the ailing John Keats romancing Fanny Brawne (Abbie Cornish) is the tremulous soul of this underappreciated Jane Campion drama. Leonardo DiCaprio and Brad Pitt star as a fading western star and his mutt-loving stunt double in this relaxed and loving roast of bygone Tinseltown. His addition to what was, at that time, a small town junior college football team caused a remarkable stir in the support of the program from the community.Quentin Tarantino’s latest jaw-dropper bumps Kill Bill: Vol 1 off the list in gloriously irreverent fashion. ![]() around the time his father had been stationed in the military. Prior to transferring to Colorado, Reed played at Antelope Valley College in Lancaster, California after moving from Japan. His most productive season was 1978 when he rushed for over 1000 yards for Kansas City. Receiving Statistics are 1,699 receiving yards and two touchdowns. Rushing the ball his stats were 2,340 total rushing yards, 8 rushing Touchdowns. When he was in Kansas City he wore number 32. A star at Colorado, he played five professional seasons as a running back from 1977-1981. Tony Reed (born March 30, 1955) is an American former college and professional football player. American football player (born 1955) Tony Reed Born: ![]()
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